A place between different spheres. A point that offers a distant view, an overview and lightness. Passing clouds, an intangible, ever-changing fascination A place where the sound of the wind heralds change and transformation processes. A space in the clouds as an intermediate realm.

The body is a miracle. The body is a wound. Enis Maci takes the voices of the dervish Hatixhe, Saint Elisabeth of Thuringia, beauty influencers and porn star Cora Wosnitza, as well as many other women, and wanders with them from rituals to routines, from fasting to control, from amazement to hypocrisy, from empowerment to instrumentalisation. Loving, haunting and always oscillating between inadequate and very close, WUNDER becomes a tale of the body, of giving and taking, of doubting and believing, of meaning and of that which perhaps need not have any meaning at all. Or: "because WE can only be wonderful if it is fundamentally vulnerable and yet it must not allow itself to be wounded if it wants to work."

It's 2019, Fridays for Future fills the streets, "the climate" fills the news. Young journalist Theresa is at a family party in the west of Germany. There she is confronted not only with her mother's alcoholism, but also with the sometimes outrageous conspiracies of her extended family. Back in her editorial office in Berlin, Theresa and her colleagues set off in search of the sources of the climate conspirators in Germany. They soon come across organised climate denialist institutes - right in the heart of Germany. In order to gain a better understanding of how climate deniers network, what drives them and what their plans are, the editorial team goes undercover at a conference. And what they find out there will only be the beginning of a major research trip. Based on research by CORRECTIV, HEARTLAND immerses the audience in the heart of organised climate denial. Seven 3rd year drama students slip into a variety of roles - from investigative journalist to conspiratorial aunt to powerful boss of the American fossil fuel lobby.

“Sonntag” brings to life the complexity of our relationship with sundays and how each interaction holds the power to change literally everything.

"Anyone can make it!" is the American dream, which has long since become a global one. In his epochal novel "The Grapes of Wrath", however, John Steinbeck places the deconstruction of this myth at the centre of his narrative. A farming family is forced to abandon their home after years of drought and growing economic pressure. With an unshakeable belief in a golden future, they head west, where the economy is booming and there is supposedly good work for everyone. There, the refugees are seen not just as "a burden, but as an opportunity" - but an opportunity for whom? The American dream of hope is revealed to be a clever marketing strategy that promotes exploitation and individualisation, while the faceless banks and super-rich accumulate more and more wealth - and break up communities. In this production of "The Grapes of Wrath", the microcosm of the family is used to illustrate the destructive power of capitalism in our relationships and what can perhaps be done to counter this power.

Elif, a young scientist and astronaut in space , remembers the earth through the scent of Dr. Hauschka Rose Day Cream.

During a long car journey, a couple stop in a field to take a pee break.